Abstronic (1952)
I wanted to manipulate light to produce visual compositions in time continuity much as a musician manipulates sound to produce music It was particularly while I listened to music that I felt an overwhelming urge to translate my reac
Parábola (1937)
Screen titles introduce the parabola as natures poetry of motion the path of every ball and bullet, of a fountains jet and a falling star Sculptor Rutherford Boyds creations appear frame by frame under controlled lighting Curve